Remarks made on Brahms symphony nr.1 by Jorma Panula on 12-1-09.

 

 

 

pagenr. Dover

bar nr.

 

1.

1

1

cb and pk balance, some take cb octove lower, I donít know why, look at bar 25, cb all downbows, so you can hear, pk disturbing with trill, pk pulsating half bars?

2.

2

8

grace notes in vll, vl2, vc new bow, you never hear this Ďvorschlagí

3.

4

51/52

take down bows, otherwise Ďkraftslosí

4.

5

60

articulation in vc, cb clear

5.

5

64

same in vl1, vla

6.

7

C

Sf in strings downbow

7 .

7

103/104

frase, a little bit rit.

8.

7

110

same

9.

9

157

vla, only one accent, down up up

10.

10

177

vl1 not melody, too loud, take mf

11.

12

213

cue pk, long break

12.

13

232

balance hrnís with woodwins in 234

13.

14

252

woodwinds, like accordion

14.

14

253

same in strings

15.

15

263

strings short, like woodwinds

16.

15

H

one long dim to 292

17.

16

293

cue Cfg, here you can hear Cfg, only place

18.

16

I

from here long cresc til K, f often too early, trp 312 mf, alsof l, hb313

19.

19

340/341

cb 8va basso

20.

19

342

poco rit, L a tempo

19.

23

430

accents missing in vla

20.

24

450

vl1 mf, cresc 456

21.

24

451

cue trp

22.

26

P

poco meno Ďruhig

23.

26

477

cue hrnís

24.

26

480

from here cresc al f

25.

27

494

subdivide second half of bar for vl1

26.

27

494

balance between hrnís and pk.

27.

27

507

divisi in vl1, 2 and vla

28.

27

505

not too much in woodwinds, take mf, low g bin vl1,2 should not be covered

29.

27

509/510

in strings start downbow, Ďluftpauseí inbetween so you can hear both notes

30.

28

6

vl1 no triplet!

31.

28

9

vl1, not too much dim in beginning of the bar, three times dim. al pp bar 11

32.

29

27/28

no cresc.

33.

29

31/32

no cresc.

34.

30

39

dim. on every figure in strings

35.

31

55

cb octava

36.

32

61/62

no breaks

37.

32

65

donít forget pk

38.

33

76

vl1, not too much dim in beginning of the bar, three times dim. al pp bar 78

39.

35

106

dyn. missing in strings, mf

40.

36

112

hrnís too loud, quite high, write pp

41.

36

122

take breath before third beat

42.

36

126

watch bow solo vl

43.

37

11

no triplets in woodwinds

44.

39

41

vla should be heard

45.

40

69

show vl2, solo

46.

41

71

long in winds, ta ta taa

47.

41

85

long in vl1, 2

48.

43

120

cl, fg balance, like one

49.

43

120

tutti pp

50.

44

130/131

hb1, hb 2 match dynamic

51.

44

132

from 132 long cresc. to f 138

52.

44

139

take mf in vl1, really soli

53.

45

156

vl not tool oud, accompany woodwinds

54.

45

160

woodwinds pp

55.

45

164

like first beat of Adagio

56.

46

2

real fp, seldom heard. cresc al mf

57.

46

4

dim. al pp in 5

58.

47

12

arpeggio in strings, a tempo on second beat, luftpause

59.

47

15

dim. al pp

60.

47

20

subdivide 3rd and 4th beat for vla and vc

61.

47

21

subdivide from second beat

62.

49

31

cresc. in hrn 2

63.

50

33

show change in cb and pk, also trp

64.

50

39

very seldom right dynamic in fl 2

65.

52

49

long but seperate

66.

52

59

hrn 3 also Ďgipfelí cresc, dim

67.

52

58

pk sixteenth

68.

53

77

vl I, II, vla connect with next bar upbow, like winds

69.

54

94

animato subito in 4

70.

55

106

Strings, one f

71.

56

118

in 2

72.

56

124, 125

vl I meno, vl II piu

73.

56

130

in 4

74.

56

131

vl I, vl II down up, down up

75.

56

132

in 2

76.

57

142

in 4

77.

57

146

in 2

78.

59

168

in 4

79.

61

182

in 2

80.

62

207

subdivide

81.

66

254

hrn II, louder, too soft

82.

67

258

in 4

83.

68

268

in 2

84.

68

274

in 4

85.

70

284-288

you never hear melody, change bows!

86.

70

289

pk, triplets

87.

71

297

calando not too early, 4 bars

88.

71

301

in 2

89.

72

308-309

vl I meno, vl II piu, vla too

90.

72

314

in 2

91.

77

374

trb III solo

92.

79

383

string not too early in 4

93.

79

389

in 2

94.

85

439-424

legato

95.

86.

450

hear fg, trb III, vc, cb

 

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