Remarks made on Sibelius VII by Jorma Panula on 2-4-00.

 

 

1.

from bar 5

check the parts, cresc. and dim. are missing.

2.

A

check first violinparts, older material two f sharps instead of one.

3.

6 after A

strings are too loud, change to p.

4.

8 after A

second vl. dim. and mp misprint, also second half of the bar first half of the section should go octave down.

5.

8 before B

cb arco.

6.

8 before B

I think the poco a poco meno p is mentioned too soon here.

7.

7 before B

cb last e-flat tight to next bar like vc.

8.

5 before B

cb last f tight to next bar.

9.

B

poco a poco meno p means cresc al mf in 10 after B.

10.

2 after B

vl I both parts, last a is tight with next bar.

11.

6 after B

in both vla parts, b tight to next bar.

12.

10 after B

cb after g go one octave down until pizz 4 before C.

13.

10 after B

last e flat in cb tight to f in next bar.

14.

7 before C

vl I first part last a is tight with b and c in next bar.

15.

7 before C

vla, last doublestop is tight with next c.

16.

7 before C

vc, last f is tight with g and a.

17.

7 before C

cb, last f is tight with first g.

18.

2 before C

misprint in cb, like vc and fg  f  and e.

19.

2 before C

hrn III no cresc, also 1 after C.

20.

1 before C

hb II, no accents, also first and second bar in C

21.

C

vl I  in parts double g, instead of a, g.

22.

6 after C

take  cb one octave lower from g until 4 before D e.

23.

6 before D

add trb II to hear triplets in trb I.

24.

2 before D

hrn I, add cresc.

25.

4 before E

hrn IV, mf on 3.

26.

3 before E

hb and hrns legato, hrns I and III also legato 2 before E.

27.

2 before E

vl II play also f sharp on first beat otherwise vl I too weak.

28.

1 before E

vla II and vc II cresc and trem on second half of the bar.

29.

3 after E

thema in vla I.

30.

4 after E

hear vorschlag in vl I.

31.

5 after E

fg p.

32.

4 before F

hrn IV solo.

33.

1 before F

vl I,II and vc, hear syncopation.

34.

3 after F

cb cue.

35.

1 before G

in parts is written a tempo, should be in score.

36.

3 after G

meno adagio, should be in score.

37.

2 after G

molto dim to pp in third bar for strings.

38.

3 after G

reinforce hrn IV with soft low c in cello until 7 after G.

39.

6 before H

listen to last notes in violins, never loud enough.

40.

H

vla p.

41.

4 after H

hrn IV important.

42.

1 before I

f sharp in cbII important.

43.

3 after I

change last cord in strings, vc II play c-major c g e c (IV III II I) vc I only d (II), vlaII c g d b(IV III II I), vlaI c g  e b, vl II second partg d b, vlII first part g e d, vlI first and second part g d b-flat g.

44.

5 after I

hb and cl mp.

45.

6 after I

fl and fg mp and pay attention to rhytm, play like quarter triplet!

46.

16 after I

vl I and vc mf.

47.

18 after I

fl and fg f. second fg should also play here.

48.

6 after I

remark the increase of dynamic from every entrance in fl and fg from 6 after I mp, 10 after I mf, 14 after poco f and 18 after f, 3 before J ff.

49.

4 before J

check a naturel in first hb (corrected later in score).

50.

J

misprint in score, vl II, vla, vc dim instead of cresc.

51.

10 after J

vc last two notes important!

52.

14 after J

winds take mf, two bars later meno=mp.

53.

14 before K

strings p.

54.

13 before K

cresc to ff in next bar.

55.

10 before K

vl II, vla, vc mp and cresc to ff in next bar.

56.

9 before K

vl I mf and cresc to ff.

57.

6 before K

take mf in winds.

58.

8 after K

in vl I second part should be g natural.

59.

10 after K

strings missing cresc to f jn next bar.

60.

11 after K

winds mf.

61.

14 before L

strings p on second quarter, downbow and up12 before K.

62.

1 before L

trb I, cantabile.

63.

L

trb II not marcato.

64.

L

vl II check parts for first note,g not b-flat.

65.

2 after L

trI mp, trb I pp.

66.

5 after L

fg, hrns II, IV accent on low c.

67.

7 after L

trp II, III mp.

68.

5 before M

trp II, trb II, III no cresc, theme starts here and goes to trp I, trb I.

69.

4 before M

trp II, do not play second half of the bar.

70.

3 before M

trp I, trb I breath after first note.

71.

2 before M

trp I, III, trb I, III take breath after second note.

72.

1 before M

trp I, trb I take breath before M.

73.

M

trp III, trb III second half of the bar very soft, otherwise disturbs melody in trp I, trb I.

74.

2 after M

trb f is too loud for melody in horns I, III.

75.

2 after M

trp I, trb I take breath after second beat.

76.

5 before N

pk e natural!

77.

3 before N

vl I first part have b sharp instead of b, also cresc is missing.

78.

3 before N

hrns no dim and no p next bar, trps, trbs play fp on last note.

79.

1 before N

hrns too loud, change to p.

80.

1 before N

str mf. 

81.

2 after N

vl I accent on first note.

82.

2 after N

trb too weak, take mf.

83.

3 after N

keep hrns down.

84.

13 after N

fl, fg cantabile, non stacc.

85.

14 before O

trps, trbs no cresc, hrn important.

86.

11 before O

str bowing; down,down up down, upbeat vl in next bar again down.

87.

9 before O

no dim in str.

88.

O

take little break before.

89.

9 after O

fl, hb stacc on second quarter.

90.

2 after P

fl f, low and should be heard.

91.

7 after P

fl, hb cresc continues in next bar.

92.

9 after P

cl one bow over the next two bars.

93.

11 after P

fl have mistake in parts, correct as in vl.

94.

11 after P

vl mf.

95.

11 after P

check vla parts for wrong notes, bad notation.

96.

14 after P

vc, cb up on last e tight with next g (missing in cb, but should play), stacc on next two eight notes.

97.

14 after P

wind last tight with first of next bar.

98.

14 after P

poco f on first beat for fl, vl I, II, vla.

99.

12 before Q

str pp, cl important.

100.

8 before Q

fl, acc in fl II melody, not in fl I, also 6 before Q.

101.

8 before Q

str mf.

102.

6 before Q

hb II also acc.

103.

5 before Q

wind dim, no acc, last note should have a dot.

104.

3 before Q

hrns no dim and no p next bar, trps, trbs play fp on last note.

105.

Q

listen vl I first part f ! start up for pizz.

106.

Q

pk muta in des-dur.

107.

2 after Q

hrns p last note.

108.

6 after Q

trb mp.

109.

7 after Q

vl I mf without acc but with dim on next whole bar.

110.

8 after Q

dolce e poco a poco, means dim untill 5 before R (dim over 6 bars).

111.

5 before R

listen to harmony in vc, cb pizz (vibr!).

112.

5 before R

vla second part not too strong, you kneed to hear the c-sharp in the first part, same in the following bars.

113.

7 after R

pk muta in es-dur.

114.

8 before S

cb vibr.

115.

4 before S

vl I, vc mf.

116.

4 before S

vl I,vc start down, next bar last note has a dot.

117.

S

str  up,up down(for 3 quarters)up down,next bar, up up down.(eight notes no dots).

118.

5 after S

vl connect last quaver to the first in next bar.

119

7 after S

vl start up and down in the dim.(don't change together).

120.

6 before T

vla mf, melody.

121.

6 before T

fg play c sharp on first beat like vla ( same register, but without appogiatura), no p, but mf.

122.

3 before T

dim signs are missing in vl I parts, also cresc is missing.

123.

1 before T

vl two down bows, one up.

124.

T

vl I take up on last quarter and connect with first in next bar, 3 after T up. 7 after T mf, start up and down not together for dim.

125.

5 after T

hb pp.

126.

6 after T

cl dots on eights notes.

127.

9 after T

cb pizz vibr.

128.

9 before U

vl I, cl already dim in second half of the bar.

129.

8 before U

vc mf.

130.

4 before U

vc, up eight notes tight to next bar, same for cl.

131.

2 before U

fl connect eight notes to next bar.

132.

U

Winds, connect to first note in next bar.

133.

U

vl I, vc, cb( b-flat missing in second bar) up on last quarter connect to first of next bar. 3 bar up, last quarter down.

134.

4 after U

str p on second note, punta d'arco.

135.

9 after U

str mf.

136.

9 after U

fl II has acc, not fl I.

137.

11 after U

add acc to hb II.

138.

12 after U

winds no acc, but dim, last note should have a dot.

139.

12 after U

str molto cresc on second half.

140.

14 after U

pk still tr.

141.

13 before V

cl funny key, but sounds allright.

142.

11 before V

vl up, 10 before vc up, every time.(no cresc)

143.

6 after V

vl I, II mp.

144.

5 before W

vc solo should be soli.(earlier days small orchestra).

145.

4 before W

trbs cue.

146.

3 before W

winds mf.( no p in cl)

147.

1 before W

winds cresc.

148.

W

vl up and next bar down.

149.

2 after W

fl I second note f.

150.

6 after W

str take back after ff, to make cresc in second half.

151.

10 after W

str punta d'arco and think 2x3.

152.

9 after W

until 4 before X is a small cresc, only to mp, all other markings are wrong.

153.

3 before X

everybody mp.

154.

3 after X

cb no poco f, gradual cresc.

155.

4 after X

trp II no acc, also no acc 6 after.

156.

4 after X

vl I, II mf.

157.

5 after X

trb I cresc missing in part, no acc.

158.

5 after X

vla, vc no f, gradual cresc!

159.

7 before Y

fg c loud.

160.

6 before Y

trb I mf, double with trb II.

161.

4 before Y

trp I take care high a, soft.

162.

2 before Y

hrn II, IV listen to vorschlag.

163.

1 before Y

hrn II, IV,  play legato to first note of next bar, do'nt disturb melody with rythm.

164.

1 before Z

everybody plays dotted quarternote, subdivide last beat.

165.

Z

vl I  second div play same as vl I first div, with vorschlag.

166.

Z

vl II second div play dotted half note, then again one quarter e.

167.

Z

all strings play first note down and then 3 seperate strokes, also next bar separate strokes.

168.

2 after Z

str mf.

169.

5 after Z

vl I second div, vl II second div, play half note, then one quarter c again, all seperate strokes.

170.

10 after Z

vl I first div again f-sharp.

171.

6 before end

pk should play d.

172.

4 before end

hrn I play like vl, then you can hear theme.

173.

4 before end

hrn II, IV like vla.

174.

4 before end

cb pizz vibr.

 

 

 

 

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